The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 59
... must proceed in7 the same way as the impressionistic painters who set down on the canvas such elements as the spectator needs for seeing an apple , and leave it to him to give to this material the finishing touches Notes on the Novel 59.
... must proceed in7 the same way as the impressionistic painters who set down on the canvas such elements as the spectator needs for seeing an apple , and leave it to him to give to this material the finishing touches Notes on the Novel 59.
Pagina 100
... canvas is an instant in which the mover stands fixed . What is this ? Do not look for something very complicated . The thing that varies , the thing that shifts in paint- ing , and which by its shifts produces the diversity of aspects ...
... canvas is an instant in which the mover stands fixed . What is this ? Do not look for something very complicated . The thing that varies , the thing that shifts in paint- ing , and which by its shifts produces the diversity of aspects ...
Pagina 106
... canvas of Velásquez , each section con- tains only vague and monstrous forms . The primitive canvas is , in a certain sense , the sum of many small pictures , each one independent and each painted from the proximate view . The painter ...
... canvas of Velásquez , each section con- tains only vague and monstrous forms . The primitive canvas is , in a certain sense , the sum of many small pictures , each one independent and each painted from the proximate view . The painter ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth