The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 10
... century artists proceeded in all too impure a fashion . They reduced the strictly aesthetic elements to a minimum and let the work consist almost entirely in a fiction of hu- man realities . In this sense all normal art of the last century ...
... century artists proceeded in all too impure a fashion . They reduced the strictly aesthetic elements to a minimum and let the work consist almost entirely in a fiction of hu- man realities . In this sense all normal art of the last century ...
Pagina 23
... century was remark- ably cross - eyed . That is why its products , far from representing a normal type of art , may be said to mark a maximum aberration in the history of taste . All great periods of art have been careful not to let the ...
... century was remark- ably cross - eyed . That is why its products , far from representing a normal type of art , may be said to mark a maximum aberration in the history of taste . All great periods of art have been careful not to let the ...
Pagina 67
... century . Added to the conflagration of passionate destinies the audi- ence found an imagination all aflame in the fire- works of Lope's and Calderón's quatrains . The substance of the pleasure contained in our theater is of the same ...
... century . Added to the conflagration of passionate destinies the audi- ence found an imagination all aflame in the fire- works of Lope's and Calderón's quatrains . The substance of the pleasure contained in our theater is of the same ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth