The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 10
... century artists proceeded in all too impure a fashion . They reduced the strictly aesthetic elements to a minimum and let the work consist almost entirely in a fiction of hu- man realities . In this sense all normal art of the last century ...
... century artists proceeded in all too impure a fashion . They reduced the strictly aesthetic elements to a minimum and let the work consist almost entirely in a fiction of hu- man realities . In this sense all normal art of the last century ...
Pagina 23
... century was remark- ably cross - eyed . That is why its products , far from representing a normal type of art , may be said to mark a maximum aberration in the history of taste . All great periods of art have been careful not to let the ...
... century was remark- ably cross - eyed . That is why its products , far from representing a normal type of art , may be said to mark a maximum aberration in the history of taste . All great periods of art have been careful not to let the ...
Pagina 67
... century . Added to the conflagration of passionate destinies the audi- ence found an imagination all aflame in the fire- works of Lope's and Calderón's quatrains . The substance of the pleasure contained in our theater is of the same ...
... century . Added to the conflagration of passionate destinies the audi- ence found an imagination all aflame in the fire- works of Lope's and Calderón's quatrains . The substance of the pleasure contained in our theater is of the same ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth