The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 10
During the nineteenth century artists proceeded in all too impure a fashion . They reduced the strictly aesthetic elements to a minimum and let the work consist almost entirely in a fiction of hu- man realities .
During the nineteenth century artists proceeded in all too impure a fashion . They reduced the strictly aesthetic elements to a minimum and let the work consist almost entirely in a fiction of hu- man realities .
Pagina 23
The nineteenth century was remark- ably cross - eyed . That is why its products , far from representing a normal type of art , may be said to mark a maximum aberration in the history of taste . All great periods of art have been careful ...
The nineteenth century was remark- ably cross - eyed . That is why its products , far from representing a normal type of art , may be said to mark a maximum aberration in the history of taste . All great periods of art have been careful ...
Pagina 67
... the poet poured his elaborate volubility - a profusion of glittering metaphors ex- pressed in a vocabulary of darkest shadows alter- nating with brilliant light , a vocabulary reminiscent of the altar - pieces of that same century .
... the poet poured his elaborate volubility - a profusion of glittering metaphors ex- pressed in a vocabulary of darkest shadows alter- nating with brilliant light , a vocabulary reminiscent of the altar - pieces of that same century .
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth