The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 29
Pagina 64
... characters is infrequent or at least unimportant . Sentiments and characters are taken from without as a whole and ... character of the tragic happenings . They go to the theater not to be stirred by Athalie's or Phèdre's anguish but ...
... characters is infrequent or at least unimportant . Sentiments and characters are taken from without as a whole and ... character of the tragic happenings . They go to the theater not to be stirred by Athalie's or Phèdre's anguish but ...
Pagina 130
... character makes that realization easier or more difficult . Life is essentially a drama , because it is a desperate struggle - with things and even with our character - to succeed in being in fact that which we are in design . This ...
... character makes that realization easier or more difficult . Life is essentially a drama , because it is a desperate struggle - with things and even with our character - to succeed in being in fact that which we are in design . This ...
Pagina
... Character GEORGE SANTAYANA Character and Opinion in the United States Three Philosophical Poets GEOFFREY SCOTT The Architecture of Humanism G. B. SHAW Shaw on Music ( edited by ERIC BENTLEY ) CHARLES SHERRINGTON Man on His Nature ...
... Character GEORGE SANTAYANA Character and Opinion in the United States Three Philosophical Poets GEOFFREY SCOTT The Architecture of Humanism G. B. SHAW Shaw on Music ( edited by ERIC BENTLEY ) CHARLES SHERRINGTON Man on His Nature ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth