The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 24
... character . " And character and not style is distinctive of the works of Lucas and Sorolla , of Dickens and Galdós . The eighteenth century , on the other hand , which had so little character was a past master of style . MORE ABOUT THE ...
... character . " And character and not style is distinctive of the works of Lucas and Sorolla , of Dickens and Galdós . The eighteenth century , on the other hand , which had so little character was a past master of style . MORE ABOUT THE ...
Pagina 64
... characters is infrequent or at least unimportant . Sentiments and characters are taken from without as whole and used ... character of the tragic happenings . They go to the theater not to be stirred by Athalie's or Phèdre's anguish but ...
... characters is infrequent or at least unimportant . Sentiments and characters are taken from without as whole and used ... character of the tragic happenings . They go to the theater not to be stirred by Athalie's or Phèdre's anguish but ...
Pagina 145
... character -energetic , pure , generous , and jovial - but ... perpetually untrue to his destiny . Hence his de- pressions , his stiffness , his distance from his sur- roundings , his bitterness . It was a life à rebours . His ...
... character -energetic , pure , generous , and jovial - but ... perpetually untrue to his destiny . Hence his de- pressions , his stiffness , his distance from his sur- roundings , his bitterness . It was a life à rebours . His ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth