The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 109
... chiaroscuro . X THE CHIAROSCURISTS Raphael's composition , El Greco's dynamic schema , are postulates of unity that the artist throws upon his canvas ; -but nothing more . Every object in the picture continues as before to assert its ...
... chiaroscuro . X THE CHIAROSCURISTS Raphael's composition , El Greco's dynamic schema , are postulates of unity that the artist throws upon his canvas ; -but nothing more . Every object in the picture continues as before to assert its ...
Pagina 110
... chiaroscuro imposes a unique point of view . The painter must now see his entire work as immersed in the ample element of light . Thus Ribera , Caravaggio , and the young Velás- quez ( The Adoration of the Magi ) . They still seek for ...
... chiaroscuro imposes a unique point of view . The painter must now see his entire work as immersed in the ample element of light . Thus Ribera , Caravaggio , and the young Velás- quez ( The Adoration of the Magi ) . They still seek for ...
Pagina 111
... chiaroscuro , the unity of the picture becomes internal , and not merely obtained by ex- trinsic means . However , under the light , volumes continue to lurk , the painting of bulk persists through the refulgent veil of light . To ...
... chiaroscuro , the unity of the picture becomes internal , and not merely obtained by ex- trinsic means . However , under the light , volumes continue to lurk , the painting of bulk persists through the refulgent veil of light . To ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth