The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 5
... classical forms of the " ancien régime " in poetry . The works of the romanticists were the first , after the invention of printing , to enjoy large editions . Romanticism was the prototype of a popular style . First - born of de ...
... classical forms of the " ancien régime " in poetry . The works of the romanticists were the first , after the invention of printing , to enjoy large editions . Romanticism was the prototype of a popular style . First - born of de ...
Pagina 63
... classical French theater with the indigenous Spanish theater . TWO THEATERS Not many things illuminate the finer points of the diversity of French and Spanish destinies so well as the difference of structure between the classical French ...
... classical French theater with the indigenous Spanish theater . TWO THEATERS Not many things illuminate the finer points of the diversity of French and Spanish destinies so well as the difference of structure between the classical French ...
Pagina 71
... classical tragedy . This aesthetic rule , which calls for moderation and restraint , now ap- pears as an efficient means of bringing about the inner density , the high pressure , as it were , within the body of the novel . Dostoevski ...
... classical tragedy . This aesthetic rule , which calls for moderation and restraint , now ap- pears as an efficient means of bringing about the inner density , the high pressure , as it were , within the body of the novel . Dostoevski ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth