The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 4
... as a sociolog- ical phenomenon , exactly the opposite of the pres- ent situation of art . Romanticism was very quick in winning " the people " to whom the old classical art had never appealed . The enemy with whom Ro- manticism 4.
... as a sociolog- ical phenomenon , exactly the opposite of the pres- ent situation of art . Romanticism was very quick in winning " the people " to whom the old classical art had never appealed . The enemy with whom Ro- manticism 4.
Pagina 63
But this question deserves more comment , and it invites us to seek further orientation through a comparison of the classical French theater with the indigenous Spanish theater . TWO THEATERS Not many things illuminate the finer points ...
But this question deserves more comment , and it invites us to seek further orientation through a comparison of the classical French theater with the indigenous Spanish theater . TWO THEATERS Not many things illuminate the finer points ...
Pagina 64
( Seneca's influence on the classical French drama can hardly be overrated . ) The aristocratic audience enjoys the exemplary and normative character of the tragic happenings . They go to the theater not to be stirred by Athalie's or ...
( Seneca's influence on the classical French drama can hardly be overrated . ) The aristocratic audience enjoys the exemplary and normative character of the tragic happenings . They go to the theater not to be stirred by Athalie's or ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth