The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 35
Pagina 9
... clear . Not only is grieving and rejoicing at such human destinies as a work of art presents or narrates a very different thing from true artistic pleasure , but preoccupation with the human con- tent of the work is in principle ...
... clear . Not only is grieving and rejoicing at such human destinies as a work of art presents or narrates a very different thing from true artistic pleasure , but preoccupation with the human con- tent of the work is in principle ...
Pagina 102
... clearly and the rest confusedly , for all are submerged in an optical democracy . Nothing possesses a sharp pro- file ; everything is background , confused , almost formless . On the other hand , the duality of proxi- mate vision is ...
... clearly and the rest confusedly , for all are submerged in an optical democracy . Nothing possesses a sharp pro- file ; everything is background , confused , almost formless . On the other hand , the duality of proxi- mate vision is ...
Pagina 187
... clear ideas , not by myths . Because clear ideas have ceased to exist , the European now feels lost and demoralized . Machiavelli - not to be confused with " Machia- vellianism " -tells us neatly that when an army is de- moralized and ...
... clear ideas , not by myths . Because clear ideas have ceased to exist , the European now feels lost and demoralized . Machiavelli - not to be confused with " Machia- vellianism " -tells us neatly that when an army is de- moralized and ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth