The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 9
... clear . Not only is grieving and rejoicing at such human destinies as a work of art presents or o narrates a very different thing from true artistic pleasure , but preoccupation with the human con- tent of the work is in principle ...
... clear . Not only is grieving and rejoicing at such human destinies as a work of art presents or o narrates a very different thing from true artistic pleasure , but preoccupation with the human con- tent of the work is in principle ...
Pagina 93
José Ortega y Gasset. always satisfied its desires if they were clear and concrete . Thus it is fairly safe to predict that - apart from philosophy - history and the novel will furnish the strongest intellectual emotions the ... clear and ...
José Ortega y Gasset. always satisfied its desires if they were clear and concrete . Thus it is fairly safe to predict that - apart from philosophy - history and the novel will furnish the strongest intellectual emotions the ... clear and ...
Pagina 187
... clear ideas , not by myths . Because clear ideas have ceased to exist , the European now feels lost and demoralized . Machiavelli - not to be confused with " Machia- vellianism " -tells us neatly that when an army is de- moralized and ...
... clear ideas , not by myths . Because clear ideas have ceased to exist , the European now feels lost and demoralized . Machiavelli - not to be confused with " Machia- vellianism " -tells us neatly that when an army is de- moralized and ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth