The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 45
... CONSEQUENCE All we have ascertained so far will now appear integrated in the most acute , serious , and deep- seated symptom shown by modern art - a strange feature , indeed , and which requires cautious con- sideration . What I mean is ...
... CONSEQUENCE All we have ascertained so far will now appear integrated in the most acute , serious , and deep- seated symptom shown by modern art - a strange feature , indeed , and which requires cautious con- sideration . What I mean is ...
Pagina 46
... consequence . But then again this does not accurately describe the situation . I do not mean to say that the artist makes light of his work and his profession ; but they interest him precisely be- cause they are of no transcendent ...
... consequence . But then again this does not accurately describe the situation . I do not mean to say that the artist makes light of his work and his profession ; but they interest him precisely be- cause they are of no transcendent ...
Pagina 125
... consequence of the same crisis , because the university is classicism . Is not such a state of affairs the most contrary to the spirit of centenaries ? In a centenary cele- bration , the rich heir complacently goes over the treasure ...
... consequence of the same crisis , because the university is classicism . Is not such a state of affairs the most contrary to the spirit of centenaries ? In a centenary cele- bration , the rich heir complacently goes over the treasure ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth