The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 33
The procedure simply consists in letting the outskirts of attention , that which ordinarily escapes notice , perform the main part in life's drama .
The procedure simply consists in letting the outskirts of attention , that which ordinarily escapes notice , perform the main part in life's drama .
Pagina 58
Hence one of the major errors a novelist can commit consists in attempting to define his per- Lsonages . It is the task of science to work out definitions . All scientific endeavor lastly consists in the system- atic effort to leave ...
Hence one of the major errors a novelist can commit consists in attempting to define his per- Lsonages . It is the task of science to work out definitions . All scientific endeavor lastly consists in the system- atic effort to leave ...
Pagina 134
Life cannot be a mere object , because it consists precisely in its ex- ecution , in being actually lived , and hence being never concluded , never definitive . It does not allow itself to be contemplated from without : the eye must ...
Life cannot be a mere object , because it consists precisely in its ex- ecution , in being actually lived , and hence being never concluded , never definitive . It does not allow itself to be contemplated from without : the eye must ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth