The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 20
Pagina 58
... consists in attempting to define his per- Lsonages . It is the task of science to work out definitions . All scientific endeavor lastly consists in the system- atic effort to leave behind the object and to arrive at its definition . Now ...
... consists in attempting to define his per- Lsonages . It is the task of science to work out definitions . All scientific endeavor lastly consists in the system- atic effort to leave behind the object and to arrive at its definition . Now ...
Pagina 134
... consists precisely in its ex- ecution , in being actually lived , and hence being never concluded , never definitive . It does not allow itself to be contemplated from without : the eye must transport itself there and make reality ...
... consists precisely in its ex- ecution , in being actually lived , and hence being never concluded , never definitive . It does not allow itself to be contemplated from without : the eye must transport itself there and make reality ...
Pagina 137
... consists exclusively in the problem of itself . Obviously Goethe throws us off the track because his idea of life is biological , botanical . Like all the portant thing is that this formula is not accidental but is the starting point ...
... consists exclusively in the problem of itself . Obviously Goethe throws us off the track because his idea of life is biological , botanical . Like all the portant thing is that this formula is not accidental but is the starting point ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth