The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 55
... the famous old or classical ones appear less good . Only a very few have escaped drowning in the reader's boredom . This development is inevitable and need not dis- ļ ୮ hearten the novelists . On the contrary ; for Notes on the Novel 55.
... the famous old or classical ones appear less good . Only a very few have escaped drowning in the reader's boredom . This development is inevitable and need not dis- ļ ୮ hearten the novelists . On the contrary ; for Notes on the Novel 55.
Pagina 150
... contrary to his destiny , he begins a process of de - vivification . Measure becomes ex- cessive and supplants the substance of his destiny . Goethe is a fire which needs a great deal of wood . In Weimar , just as there is no atmosphere ...
... contrary to his destiny , he begins a process of de - vivification . Measure becomes ex- cessive and supplants the substance of his destiny . Goethe is a fire which needs a great deal of wood . In Weimar , just as there is no atmosphere ...
Pagina 174
... contrary , being man signi- fies precisely being always on the point of not being man , being a living problem , an absolute and haz- ardous adventure , or , as I am wont to say : being , in essence , drama ! Because there is drama only ...
... contrary , being man signi- fies precisely being always on the point of not being man , being a living problem , an absolute and haz- ardous adventure , or , as I am wont to say : being , in essence , drama ! Because there is drama only ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth