The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 169
... contrary carries his self to the other , projects it energetically and mas- terfully upon things , in other words , he forces the other - the world - little by little to become himself . Man humanizes the world , injects it ...
... contrary carries his self to the other , projects it energetically and mas- terfully upon things , in other words , he forces the other - the world - little by little to become himself . Man humanizes the world , injects it ...
Pagina 170
... contrary , the idea of progress , and idealism - that exquisitely and nobly proportioned name - progress and idealism are two of my bêtes noires , because I see in them perhaps the two greatest sins of the last two centuries , the two ...
... contrary , the idea of progress , and idealism - that exquisitely and nobly proportioned name - progress and idealism are two of my bêtes noires , because I see in them perhaps the two greatest sins of the last two centuries , the two ...
Pagina 187
... contrary , we must feel it under our feet because we have raised ourselves upon it . Translated from the Spanish by Willard R. Trask ANCHOR BOOKS HENRI ALAIN - FOURNIER The Wanderer THE ANCHOR The Self and the Other 187.
... contrary , we must feel it under our feet because we have raised ourselves upon it . Translated from the Spanish by Willard R. Trask ANCHOR BOOKS HENRI ALAIN - FOURNIER The Wanderer THE ANCHOR The Self and the Other 187.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth