The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 6
Pagina 37
... cubism , the fact remains that for some time we have been well pleased with a language of pure Euclidean patterns . The phenomenon becomes more complex when we remember that crazes of this kind have period- ically recurred in history ...
... cubism , the fact remains that for some time we have been well pleased with a language of pure Euclidean patterns . The phenomenon becomes more complex when we remember that crazes of this kind have period- ically recurred in history ...
Pagina 115
... cubism of Cézanne and of those who , in effect , were cubists , that is , stereometrists , is only one step more in the internalizing of painting . Sensations , the theme of impressionism , are sub- jective states ; as such , realities ...
... cubism of Cézanne and of those who , in effect , were cubists , that is , stereometrists , is only one step more in the internalizing of painting . Sensations , the theme of impressionism , are sub- jective states ; as such , realities ...
Pagina 116
... cubism . Together with volumes that seem to accord major emphasis to the rotundity of bodies , Picasso , in his most typical and scandalous pictures , breaks up the closed form of an object and , in pure Euclidian planes , exhibits ...
... cubism . Together with volumes that seem to accord major emphasis to the rotundity of bodies , Picasso , in his most typical and scandalous pictures , breaks up the closed form of an object and , in pure Euclidian planes , exhibits ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth