The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 36
... cubism , etc. , are - in varying de- gree - attempts at executing this decision . From painting things , the painter has turned to painting ideas . He shuts his eyes to the outer world and concentrates upon the subjective images in his ...
... cubism , etc. , are - in varying de- gree - attempts at executing this decision . From painting things , the painter has turned to painting ideas . He shuts his eyes to the outer world and concentrates upon the subjective images in his ...
Pagina 114
... no - the inexorable retreat continues . Not halting even at the cornea , the point of view crosses the last frontier and penetrates into vision itself , into the subject himself . XIII CUBISM Cézanne , in the midst of his impressionist 114.
... no - the inexorable retreat continues . Not halting even at the cornea , the point of view crosses the last frontier and penetrates into vision itself , into the subject himself . XIII CUBISM Cézanne , in the midst of his impressionist 114.
Pagina 115
... cubism of Cézanne and of those who , in effect , were cubists , that is , stereometrists , is only one step more in the internalizing of painting . Sensations , the theme of impressionism , are sub- jective states ; as such , realities ...
... cubism of Cézanne and of those who , in effect , were cubists , that is , stereometrists , is only one step more in the internalizing of painting . Sensations , the theme of impressionism , are sub- jective states ; as such , realities ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth