The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 126
... culture - a swimming stroke . - When culture is no more than this , it fulfills its function and the hu- man being rises above his own abyss . But ten cen- turies of cultural continuity brings with it - among many advantages - the great ...
... culture - a swimming stroke . - When culture is no more than this , it fulfills its function and the hu- man being rises above his own abyss . But ten cen- turies of cultural continuity brings with it - among many advantages - the great ...
Pagina 181
... culture , have for eight centuries turned us from our proper and authentic Occidental vocation . The heaviest of these chains is " intellectualism " ; and now , when it is imperative that we change our course and take a new road - in ...
... culture , have for eight centuries turned us from our proper and authentic Occidental vocation . The heaviest of these chains is " intellectualism " ; and now , when it is imperative that we change our course and take a new road - in ...
Pagina 182
... culture , between action and contemplation , brought it about that , during the last century - for a comparatively short period , then - there has been an overproduction of ideas , of books and works of art , a real cultural inflation ...
... culture , between action and contemplation , brought it about that , during the last century - for a comparatively short period , then - there has been an overproduction of ideas , of books and works of art , a real cultural inflation ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth