The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 100
This parallel between the two most widely separated disciplines of culture per- mits us to suspect the existence of an even more general principle which has been active in the en- tire evolution of the European mind .
This parallel between the two most widely separated disciplines of culture per- mits us to suspect the existence of an even more general principle which has been active in the en- tire evolution of the European mind .
Pagina 126
When culture is no more than this , it fulfills its function and the hu- man being rises above his own abyss . But ten cen- turies of cultural continuity brings with it - among many advantages - the great disadvantage that man believes ...
When culture is no more than this , it fulfills its function and the hu- man being rises above his own abyss . But ten cen- turies of cultural continuity brings with it - among many advantages - the great disadvantage that man believes ...
Pagina 182
This way of reversing the relation between life and culture , between action and contemplation , brought it about that ... then - there has been an overproduction of ideas , of books and works of art , a real cultural inflation .
This way of reversing the relation between life and culture , between action and contemplation , brought it about that ... then - there has been an overproduction of ideas , of books and works of art , a real cultural inflation .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth