The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 58
... define his per- Lsonages . It is the task of science to work out definitions . All scientific endeavor lastly consists in the system- atic effort to leave behind the object and to arrive at its definition . Now , a definition is nothing ...
... define his per- Lsonages . It is the task of science to work out definitions . All scientific endeavor lastly consists in the system- atic effort to leave behind the object and to arrive at its definition . Now , a definition is nothing ...
Pagina 71
... definition could contrive . It is extremely interesting to watch Dostoevski in his cunning ways with the reader . To a perfunctory observation , he seems to define each of his person- ages . When he introduces a figure he nearly always ...
... definition could contrive . It is extremely interesting to watch Dostoevski in his cunning ways with the reader . To a perfunctory observation , he seems to define each of his person- ages . When he introduces a figure he nearly always ...
Pagina 72
... definitions . The first conceptual image we were given of them is followed by another in which we see their immediate life , independent of the author's definition ; and the two do not tally . At this point , the reader , afraid to lose ...
... definitions . The first conceptual image we were given of them is followed by another in which we see their immediate life , independent of the author's definition ; and the two do not tally . At this point , the reader , afraid to lose ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth