The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 25
... delight and titillation . Romanticism hunts with a decoy , it tampers with the bird's fervor in order to riddle him ... delighted . If it can do without them , better still . " Toute maîtrise jette le froid " ( Mallarmé ) . There is , to ...
... delight and titillation . Romanticism hunts with a decoy , it tampers with the bird's fervor in order to riddle him ... delighted . If it can do without them , better still . " Toute maîtrise jette le froid " ( Mallarmé ) . There is , to ...
Pagina 37
... delightful fraud of art - all the more ex- quisite the more frankly it reveals its fraudulent nature . ICONOCLASM It ... delight in rendering the exuberant forms of the model - man , animal , or plant . All bodies are welcome , if only ...
... delightful fraud of art - all the more ex- quisite the more frankly it reveals its fraudulent nature . ICONOCLASM It ... delight in rendering the exuberant forms of the model - man , animal , or plant . All bodies are welcome , if only ...
Pagina 147
... delight auto- matically . But this pleasure , this automatic delight , is not the happiness of a destiny fulfilling itself . Sometimes a man's vocation does not run in the direction of his gifts , sometimes it runs contrary to them ...
... delight auto- matically . But this pleasure , this automatic delight , is not the happiness of a destiny fulfilling itself . Sometimes a man's vocation does not run in the direction of his gifts , sometimes it runs contrary to them ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth