The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 19
Pagina ix
... ............................................................................ .. 4 LEARNING DESTINY IN YOUTH .................................................. .. 6 PERSONALITY ...........................................
... ............................................................................ .. 4 LEARNING DESTINY IN YOUTH .................................................. .. 6 PERSONALITY ...........................................
Pagina
... Destiny lasciò suo padre e lui la mise gentilmente da parte. Poi guardò la regina. “Celene, piccola, posso spiegare ... Destiny. Si spostò per mettersi tra suo padre e la mia arma. “Nix, no!” “Spostati, Destiny,” risposi con una voce di ...
... Destiny lasciò suo padre e lui la mise gentilmente da parte. Poi guardò la regina. “Celene, piccola, posso spiegare ... Destiny. Si spostò per mettersi tra suo padre e la mia arma. “Nix, no!” “Spostati, Destiny,” risposi con una voce di ...
Pagina 265
... Destiny , by contrast , seemed , despite its exaltation of language , somehow touched by a taint of selfishness , both national and individual . The sacrifices it asked were to be from others . Territory was to be taken , and all that ...
... Destiny , by contrast , seemed , despite its exaltation of language , somehow touched by a taint of selfishness , both national and individual . The sacrifices it asked were to be from others . Territory was to be taken , and all that ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth