The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 139
... destiny , he remains the victim of a perennial vacillation , of an external in- fluence which perpetually troubles ... destiny " ( Schicksal ) . What is our destiny - the inner or the outer , that which we were to be , or that ...
... destiny , he remains the victim of a perennial vacillation , of an external in- fluence which perpetually troubles ... destiny " ( Schicksal ) . What is our destiny - the inner or the outer , that which we were to be , or that ...
Pagina 147
... destiny until it has been individually modu- lated . Destiny is never abstract and generic , al- though not all destinies have the same degree of concretion . One man is born into the world to fall in love with a single and particular ...
... destiny until it has been individually modu- lated . Destiny is never abstract and generic , al- though not all destinies have the same degree of concretion . One man is born into the world to fall in love with a single and particular ...
Pagina 155
... destiny . But he swims so directly against the current of his vocation that he ends by being unable to pro- duce anything from within himself . To create , he has first to imagine himself as other than he is — a Greek , a Persian - pots ...
... destiny . But he swims so directly against the current of his vocation that he ends by being unable to pro- duce anything from within himself . To create , he has first to imagine himself as other than he is — a Greek , a Persian - pots ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth