The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 139
... destiny , he remains the victim of a perennial vacillation , of an external in- fluence which perpetually troubles ... destiny " ( Schicksal ) . What is our destiny - the inner or the outer , that which we were to be , or that which our ...
... destiny , he remains the victim of a perennial vacillation , of an external in- fluence which perpetually troubles ... destiny " ( Schicksal ) . What is our destiny - the inner or the outer , that which we were to be , or that which our ...
Pagina 152
... destiny is precisely the opposite of the " as good as " of symbolism ! Here we can discern the origin of an idea . All our ideas are reactions - positive or negative - to the situations with which our destiny confronts us . Goethe , as ...
... destiny is precisely the opposite of the " as good as " of symbolism ! Here we can discern the origin of an idea . All our ideas are reactions - positive or negative - to the situations with which our destiny confronts us . Goethe , as ...
Pagina 159
José Ortega y Gasset. himself . Goethe looked so hard for his destiny , his destiny was so little apparent to him , because in looking for it he had made up his mind beforehand to flee it . From time to time , turning a corner , he ...
José Ortega y Gasset. himself . Goethe looked so hard for his destiny , his destiny was so little apparent to him , because in looking for it he had made up his mind beforehand to flee it . From time to time , turning a corner , he ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth