The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 18
... directions . Nothing is easier than to stress the differences . But such an emphasis on the distinguishing and specific features would be pointless without a previous account of the common fund that in a varying and sometimes ...
... directions . Nothing is easier than to stress the differences . But such an emphasis on the distinguishing and specific features would be pointless without a previous account of the common fund that in a varying and sometimes ...
Pagina 58
... direction of this color . It has been said by Wundt , if I remember right , that the most primitive form of a concept is the pointing gesture of the index finger . An infant still tries to take hold of any object that enters his field ...
... direction of this color . It has been said by Wundt , if I remember right , that the most primitive form of a concept is the pointing gesture of the index finger . An infant still tries to take hold of any object that enters his field ...
Pagina 128
... direction . But I do not see that his work can be of benefit today if the problem of his life is not posed in a way different from that heretofore in use . The biographies of Goethe have been built up in ac- cordance with the optics of ...
... direction . But I do not see that his work can be of benefit today if the problem of his life is not posed in a way different from that heretofore in use . The biographies of Goethe have been built up in ac- cordance with the optics of ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth