The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 10
Pagina 18
... directions . Nothing is easier than to stress the differences . But such an emphasis on the distinguishing and specific features would be pointless without a previous account of the common fund that in a varying and sometimes ...
... directions . Nothing is easier than to stress the differences . But such an emphasis on the distinguishing and specific features would be pointless without a previous account of the common fund that in a varying and sometimes ...
Pagina 95
... direction . The interest in the outer mechanism of the plot is today reduced to a minimum . All the better : the novel must now re- volve about the superior interest emanating from the inner mechanism of the personages . Not in the ...
... direction . The interest in the outer mechanism of the plot is today reduced to a minimum . All the better : the novel must now re- volve about the superior interest emanating from the inner mechanism of the personages . Not in the ...
Pagina 150
... direction contrary to his destiny , he begins a process of de - vivification . Measure becomes ex- cessive and supplants the substance of his destiny . Goethe is a fire which needs a great deal of wood . In Weimar , just as there is no ...
... direction contrary to his destiny , he begins a process of de - vivification . Measure becomes ex- cessive and supplants the substance of his destiny . Goethe is a fire which needs a great deal of wood . In Weimar , just as there is no ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth