The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 12
Pagina 14
... distance be- tween each person and the event they all witness . For the wife of the dying man the distance shrinks to almost nothing . What is happening so tortures her soul and absorbs her mind that it becomes one with her person . Or ...
... distance be- tween each person and the event they all witness . For the wife of the dying man the distance shrinks to almost nothing . What is happening so tortures her soul and absorbs her mind that it becomes one with her person . Or ...
Pagina 26
... distance . Each art operates a magic lantern that removes and transfigures its ob- jects . On its screen they stand aloof , inmates of an inaccessible world , in an absolute distance . When this derealization is lacking , an awkward ...
... distance . Each art operates a magic lantern that removes and transfigures its ob- jects . On its screen they stand aloof , inmates of an inaccessible world , in an absolute distance . When this derealization is lacking , an awkward ...
Pagina 101
... distance that for practical purposes we may estimate with some accuracy . The moon or the blue face of heaven are at a distance essentially imprecise , but quite characteristic in their impreci- sion . We cannot say that they are so ...
... distance that for practical purposes we may estimate with some accuracy . The moon or the blue face of heaven are at a distance essentially imprecise , but quite characteristic in their impreci- sion . We cannot say that they are so ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth