The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 14
As for the points of view of the four persons present at the deathbed , the clearest
means of distinguishing them is by measuring one of their dimensions , namely
the emotional distance between each person and the event they all witness .
As for the points of view of the four persons present at the deathbed , the clearest
means of distinguishing them is by measuring one of their dimensions , namely
the emotional distance between each person and the event they all witness .
Pagina 26
Seeing requires distance . Each art operates a magic lantern that removes and
transfigures its objects . On its screen they stand aloof , inmates of an
inaccessible world , in an absolute distance . When this derealization is lacking ,
an awkward ...
Seeing requires distance . Each art operates a magic lantern that removes and
transfigures its objects . On its screen they stand aloof , inmates of an
inaccessible world , in an absolute distance . When this derealization is lacking ,
an awkward ...
Pagina 101
A church spire , a sail at sea , present themselves to us at a distance that for
practical purposes we may estimate with some accuracy . The moon or the blue
face of heaven are at a distance essentially imprecise , but quite characteristic in
their ...
A church spire , a sail at sea , present themselves to us at a distance that for
practical purposes we may estimate with some accuracy . The moon or the blue
face of heaven are at a distance essentially imprecise , but quite characteristic in
their ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense sensibility soul space speak stand style substance things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |