The Dehumanization of Art: And Other Writings on Art and Culture |
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Pagina 14
As for the points of view of the four persons present at the deathbed, the clearest
means of distinguishing them is by measuring one of their dimensions, namely
the emotional distance between each person and the eventjhey all witness.
As for the points of view of the four persons present at the deathbed, the clearest
means of distinguishing them is by measuring one of their dimensions, namely
the emotional distance between each person and the eventjhey all witness.
Pagina 26
Seeing requires distance. Each art operates a magic lantern that removes and
transfigures its objects. On its screen they stand aloof, inmates of an inaccessible
world, in an absolute distance. When this derealization is lacking, an awkward ...
Seeing requires distance. Each art operates a magic lantern that removes and
transfigures its objects. On its screen they stand aloof, inmates of an inaccessible
world, in an absolute distance. When this derealization is lacking, an awkward ...
Pagina 101
A church spire, a sail at sea, present themselves to us at a distance that for
practical purposes we may estimate with some accuracy. The moon or the blue
face of heaven are at a distance essentially imprecise, but quite characteristic in
their ...
A church spire, a sail at sea, present themselves to us at a distance that for
practical purposes we may estimate with some accuracy. The moon or the blue
face of heaven are at a distance essentially imprecise, but quite characteristic in
their ...
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The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 2019 |
The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The dehumanization of art, and other writings on art and culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama eric bentley essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest jacques barzun less light LIONEL trilling literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth Velasquez vital vocation W. H. AUDEN Weimar words young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art: And Other Writings on Art and Culture Doubleday anchor book, A72 |
| Autore | José Ortega y Gasset |
| Editore | Doubleday a Company, 1956 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |