The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 7
Pagina 102
... distant vision . Instead of fixing a proximate object , let the eye , passive but free , prolong its line of vision to the limit of the visual field . What do we find then ? The structure of our hierarchized elements disappears . The ...
... distant vision . Instead of fixing a proximate object , let the eye , passive but free , prolong its line of vision to the limit of the visual field . What do we find then ? The structure of our hierarchized elements disappears . The ...
Pagina 102
... distant vision . Instead of fixing a proximate object , let the eye , passive but free , prolong its line of vision to the limit of the visual field . What do we find then ? The structure of our hierarchized elements disappears . The ...
... distant vision . Instead of fixing a proximate object , let the eye , passive but free , prolong its line of vision to the limit of the visual field . What do we find then ? The structure of our hierarchized elements disappears . The ...
Pagina 103
... vision has a tactile quality . What mys- terious resonance of touch is preserved by sight when it converges on a ... distant vision an object becomes illusory . When the distance is great , there on the confines of a remote horizon ...
... vision has a tactile quality . What mys- terious resonance of touch is preserved by sight when it converges on a ... distant vision an object becomes illusory . When the distance is great , there on the confines of a remote horizon ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth