The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 24
Pagina 36
... drama . Whereas here our interest is aroused by some personages as such- that is , as ideas or pure patterns . Pirandello's drama is , I dare say , the first " drama of ideas " proper . All the others that bore this name were not dramas ...
... drama . Whereas here our interest is aroused by some personages as such- that is , as ideas or pure patterns . Pirandello's drama is , I dare say , the first " drama of ideas " proper . All the others that bore this name were not dramas ...
Pagina 64
... drama or adventure takes off for its headlong leap . Anything else would have bored the audience of a Spanish corral , an audience of simple souls given to passion rather than to contemplation . However , psychological analysis is not ...
... drama or adventure takes off for its headlong leap . Anything else would have bored the audience of a Spanish corral , an audience of simple souls given to passion rather than to contemplation . However , psychological analysis is not ...
Pagina 75
... dramatic interest , well though we know that not this but what he gives us so abundantly is the truly delicious fare . What he gives us is a microscopic analysis of human souls . With a pinch of drama - really , we should have been ...
... dramatic interest , well though we know that not this but what he gives us so abundantly is the truly delicious fare . What he gives us is a microscopic analysis of human souls . With a pinch of drama - really , we should have been ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth