The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 6
... drama have the sociological effect of compelling the people to recognize itself for what it is : a component among others of the social struc- ture , inert matter of the historical process , a sec- ondary factor in the cosmos of ...
... drama have the sociological effect of compelling the people to recognize itself for what it is : a component among others of the social struc- ture , inert matter of the historical process , a sec- ondary factor in the cosmos of ...
Pagina 36
... drama . Whereas here our interest is aroused by some personages as such— that is , as ideas or pure patterns . Pirandello's drama is , I dare say , the first " drama of ideas " proper . All the others that bore this name were not dramas ...
... drama . Whereas here our interest is aroused by some personages as such— that is , as ideas or pure patterns . Pirandello's drama is , I dare say , the first " drama of ideas " proper . All the others that bore this name were not dramas ...
Pagina 64
... drama or adventure takes off for its headlong leap . Anything else would have bored the audience of a Spanish corral , an audience of simple souls given to passion . rather than to contemplation . However , psychological analysis is not ...
... drama or adventure takes off for its headlong leap . Anything else would have bored the audience of a Spanish corral , an audience of simple souls given to passion . rather than to contemplation . However , psychological analysis is not ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth