The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 3
... effects looks very much like putting the cart before the horse , or studying a man by his shadow . The social effects of art seem such an accidental thing , so remote from the aesthetic essence that it does not quite appear how ...
... effects looks very much like putting the cart before the horse , or studying a man by his shadow . The social effects of art seem such an accidental thing , so remote from the aesthetic essence that it does not quite appear how ...
Pagina 42
... effect . In his Principles of Art History ; the Problem of the De- velopment of Style in Later Art ( London : Bell , 1932 ) Heinrich Wölfflin mentions the power of boredom which has ever again mobilized art and compelled it to invent ...
... effect . In his Principles of Art History ; the Problem of the De- velopment of Style in Later Art ( London : Bell , 1932 ) Heinrich Wölfflin mentions the power of boredom which has ever again mobilized art and compelled it to invent ...
Pagina 84
... effect . And a novel that lacks this glorious and unique magic is a poor novel whatever other virtues it may possess . Sublime and beneficent the power of this sovereign modern art that multiplies our existence , freeing us from our own ...
... effect . And a novel that lacks this glorious and unique magic is a poor novel whatever other virtues it may possess . Sublime and beneficent the power of this sovereign modern art that multiplies our existence , freeing us from our own ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth