The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 20
Pagina 3
... effects looks very much like putting the cart before the horse , or studying a man by his shadow . The social effects of art seem such an accidental thing , so remote from the aesthetic essence that it does not quite appear how ...
... effects looks very much like putting the cart before the horse , or studying a man by his shadow . The social effects of art seem such an accidental thing , so remote from the aesthetic essence that it does not quite appear how ...
Pagina 41
... effect of the past on the present changes its sign and a long epoch ap- pears in which the new art , step by step , breaks free of the old which threatened to smother it . The latter is typical of Europe whose futuristic in- stinct ...
... effect of the past on the present changes its sign and a long epoch ap- pears in which the new art , step by step , breaks free of the old which threatened to smother it . The latter is typical of Europe whose futuristic in- stinct ...
Pagina 59
... effect which in more springy souls had been obtained by narration . When I read in a novel " John was peevish " it is as though the writer invited me to visualize , on the strength of his definition , John's peevishness in my own ...
... effect which in more springy souls had been obtained by narration . When I read in a novel " John was peevish " it is as though the writer invited me to visualize , on the strength of his definition , John's peevishness in my own ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth