The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 95
... elements alien to art . Within the novel almost anything fits : science , religion , sociology , aesthetic criticism - if only it is ultimately derealized and confined within the inner world of the novel ; i.e. , if it remains without ...
... elements alien to art . Within the novel almost anything fits : science , religion , sociology , aesthetic criticism - if only it is ultimately derealized and confined within the inner world of the novel ; i.e. , if it remains without ...
Pagina 109
... element : chiaroscuro . X THE CHIAROSCURISTS Raphael's composition , El Greco's dynamic schema , are postulates of unity that the artist throws upon his canvas ; -but nothing more . Every object in the picture continues as before to ...
... element : chiaroscuro . X THE CHIAROSCURISTS Raphael's composition , El Greco's dynamic schema , are postulates of unity that the artist throws upon his canvas ; -but nothing more . Every object in the picture continues as before to ...
Pagina 110
... element of light . Thus Ribera , Caravaggio , and the young Velás- quez ( The Adoration of the Magi ) . They still ... elements . Things of the most dis- parate form and condition now become equivalent . The individualistic primacy of ...
... element of light . Thus Ribera , Caravaggio , and the young Velás- quez ( The Adoration of the Magi ) . They still ... elements . Things of the most dis- parate form and condition now become equivalent . The individualistic primacy of ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth