The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 138
... entelechy , he used what is perhaps the best word to designate that vital design , that inexorable plan , in which our real I exists . Each one of us is " he whom he has to become , " although perhaps he never suc- ceeds in becoming ...
... entelechy , he used what is perhaps the best word to designate that vital design , that inexorable plan , in which our real I exists . Each one of us is " he whom he has to become , " although perhaps he never suc- ceeds in becoming ...
Pagina 140
... entelechy is , let us say , to be a thief has to be one , even though his moral ideas are opposed to it , suppress his unchangeable destiny , and manage to make his actual life that of a law - abiding citizen . It is a terrible thing ...
... entelechy is , let us say , to be a thief has to be one , even though his moral ideas are opposed to it , suppress his unchangeable destiny , and manage to make his actual life that of a law - abiding citizen . It is a terrible thing ...
Pagina 153
... entelechy " -there is no lack of names for the terrible reality which is our authentic I. This means that living is essentially an imperative basically opposite to that which Goethe proposes to us when he urges us to withdraw from the ...
... entelechy " -there is no lack of names for the terrible reality which is our authentic I. This means that living is essentially an imperative basically opposite to that which Goethe proposes to us when he urges us to withdraw from the ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth