The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 12
Pagina 38
... essay , as I have said before , confines itself to delineating the new art by means of some of its distinguishing features . However , it is prompted by a curiosity of wider scope which these pages do not venture to satisfy but only ...
... essay , as I have said before , confines itself to delineating the new art by means of some of its distinguishing features . However , it is prompted by a curiosity of wider scope which these pages do not venture to satisfy but only ...
Pagina 92
... progress of psychology . Humanity has 6. Cf. for this point the author's essay " Las Atlántidas ” in his collected works : Obras ( Espasa Calpe , 1932 ) , II , 21 . always satisfied its desires if they were clear and concrete 92.
... progress of psychology . Humanity has 6. Cf. for this point the author's essay " Las Atlántidas ” in his collected works : Obras ( Espasa Calpe , 1932 ) , II , 21 . always satisfied its desires if they were clear and concrete 92.
Pagina
... essays . The two essays . " The Dehumanization of Art " and " Notes on the Novel , " were pub- lished as a single book in 1949. To them has been added , for this Anchor edition , three essays that appeared in Partisan Review between ...
... essays . The two essays . " The Dehumanization of Art " and " Notes on the Novel , " were pub- lished as a single book in 1949. To them has been added , for this Anchor edition , three essays that appeared in Partisan Review between ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth