The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 33
... essential trait Proust's amplitudinous novel may have in common with the new sensibility is this change of per- spective : contempt for the old monumental forms of the soul and an unhuman attention to the micro- structure of sentiments ...
... essential trait Proust's amplitudinous novel may have in common with the new sensibility is this change of per- spective : contempt for the old monumental forms of the soul and an unhuman attention to the micro- structure of sentiments ...
Pagina 74
... essential to the genre , appears here with exaggerated purity . We feel the lack of a firm and rigid support , of something like the ribs in an umbrella . Deprived of its bones , the body of the novel is converted into a cloudy , shape ...
... essential to the genre , appears here with exaggerated purity . We feel the lack of a firm and rigid support , of something like the ribs in an umbrella . Deprived of its bones , the body of the novel is converted into a cloudy , shape ...
Pagina 82
... essential to the modern novel . It characterizes Don Quixote in contrast to the romances of chivalry . Indeed , were we to determine the conditions of the modern novel , we should only need to ascertain what a literary prose production ...
... essential to the modern novel . It characterizes Don Quixote in contrast to the romances of chivalry . Indeed , were we to determine the conditions of the modern novel , we should only need to ascertain what a literary prose production ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth