The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 82
... essential to the modern novel . It characterizes Don Quixote in contrast to the romances of chivalry . Indeed , were we to determine the conditions of the modern novel , we should only need to ascertain what a literary prose production ...
... essential to the modern novel . It characterizes Don Quixote in contrast to the romances of chivalry . Indeed , were we to determine the conditions of the modern novel , we should only need to ascertain what a literary prose production ...
Pagina 117
... essential . The philosopher , for his part , asks what class of objects is fundamental . A philosophical system is an effort to reconstruct the universe con- ceptually , taking as a point of departure a certain type of fact considered ...
... essential . The philosopher , for his part , asks what class of objects is fundamental . A philosophical system is an effort to reconstruct the universe con- ceptually , taking as a point of departure a certain type of fact considered ...
Pagina 126
... essential . Life is , in itself and forever , shipwreck . To be shipwrecked is not to drown . The poor human being , feeling himself sinking into the abyss , moves his arms to keep afloat . This movement of the arms which is his ...
... essential . Life is , in itself and forever , shipwreck . To be shipwrecked is not to drown . The poor human being , feeling himself sinking into the abyss , moves his arms to keep afloat . This movement of the arms which is his ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth