The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 14
... event . It thus becomes clear that one and the same reality may split up into many diverse realities when it is beheld from different points of view . And we cannot help asking ourselves : Which of all these realities must then be ...
... event . It thus becomes clear that one and the same reality may split up into many diverse realities when it is beheld from different points of view . And we cannot help asking ourselves : Which of all these realities must then be ...
Pagina 15
... event . He is involved in it not with his heart but with the professional portion of his self . He too " lives " the scene although with an agitation originating not in the emotional center , but in the professional surface , of his ...
... event . He is involved in it not with his heart but with the professional portion of his self . He too " lives " the scene although with an agitation originating not in the emotional center , but in the professional surface , of his ...
Pagina 16
... event in its entirety . The tragic inner meaning escapes his attention which is directed exclusively toward the visual part - color values , lights , and shadows . In the painter we find a maximum of dis- tance and a minimum of feeling ...
... event in its entirety . The tragic inner meaning escapes his attention which is directed exclusively toward the visual part - color values , lights , and shadows . In the painter we find a maximum of dis- tance and a minimum of feeling ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth