The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 86
Again and again we pause , uncertain whether to hold the events and characters against the imaginary or the historical horizon , and this ambivalence imparts a false and uncomfortable complexion to everything . Any at- tempt to merge ...
Again and again we pause , uncertain whether to hold the events and characters against the imaginary or the historical horizon , and this ambivalence imparts a false and uncomfortable complexion to everything . Any at- tempt to merge ...
Pagina 105
Pictorially , everything in these pictures is in one plane , that is , everything is painted from close - up . The smallest figure , there in the distance , is as complete , spherical and de- tached as the most important .
Pictorially , everything in these pictures is in one plane , that is , everything is painted from close - up . The smallest figure , there in the distance , is as complete , spherical and de- tached as the most important .
Pagina 183
... this we are obliged to admit once and for all , but upon condition that we add that this danger , this latent risk , is not limited to ideas but is connected with everything , with absolutely everything , that man does .
... this we are obliged to admit once and for all , but upon condition that we add that this danger , this latent risk , is not limited to ideas but is connected with everything , with absolutely everything , that man does .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |