The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 71
... existence such as no definition could contrive . It is extremely interesting to watch Dostoevski in his cunning ways with the reader . To a perfunctory observation , he seems to define each of his person- ages . When he introduces a ...
... existence such as no definition could contrive . It is extremely interesting to watch Dostoevski in his cunning ways with the reader . To a perfunctory observation , he seems to define each of his person- ages . When he introduces a ...
Pagina 84
... existence proper . Were someone to find us in just that moment , our dilated pupils would betray our shipwrecked condition . Novel I call the literary prose work that produces this effect . And a novel that lacks this glorious and ...
... existence proper . Were someone to find us in just that moment , our dilated pupils would betray our shipwrecked condition . Novel I call the literary prose work that produces this effect . And a novel that lacks this glorious and ...
Pagina 170
... existence is hardly differ- ent from zoological existence ; he too lives governed by his environment , placed among the things of this world as one of them . Yet no sooner 170.
... existence is hardly differ- ent from zoological existence ; he too lives governed by his environment , placed among the things of this world as one of them . Yet no sooner 170.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth