The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 4
... fact : the unpopularity of the new music . In the following I will speak more in general and consider all the arts that are still somewhat alive in the Western world - that is , not only music , but also painting , poetry , and the ...
... fact : the unpopularity of the new music . In the following I will speak more in general and consider all the arts that are still somewhat alive in the Western world - that is , not only music , but also painting , poetry , and the ...
Pagina 12
... fact . For about twenty years now the most alert young people of two successive generations - in Berlin , Paris , Lon- don , New York , Rome , Madrid - have found them- selves faced with the undeniable fact that they have no use for ...
... fact . For about twenty years now the most alert young people of two successive generations - in Berlin , Paris , Lon- don , New York , Rome , Madrid - have found them- selves faced with the undeniable fact that they have no use for ...
Pagina 49
... fact the decisive ones . The odds are particularly poor since the object is a nascent reality which just begins its ... facts . There can be no doubt that the best approximation to truth is contrived by a formula that in one ...
... fact the decisive ones . The odds are particularly poor since the object is a nascent reality which just begins its ... facts . There can be no doubt that the best approximation to truth is contrived by a formula that in one ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth