The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 6
... feels superior to it ; and there is no reason for indignation . But when his dislike is due to his failure to ... feel that the new art , which is the art of a privileged aristocracy of finer senses , endangers their rights as men ...
... feels superior to it ; and there is no reason for indignation . But when his dislike is due to his failure to ... feel that the new art , which is the art of a privileged aristocracy of finer senses , endangers their rights as men ...
Pagina 6
... feels superior to it ; and there is no reason for indignation . But when his dislike is due to his failure to ... feel that the new art , which is the art of a privileged aristocracy of finer senses , endangers their rights as men ...
... feels superior to it ; and there is no reason for indignation . But when his dislike is due to his failure to ... feel that the new art , which is the art of a privileged aristocracy of finer senses , endangers their rights as men ...
Pagina 138
... feels it , he is it , as a dramatic preoccupation with his own self . I am afraid that this botanism of Goethe ... feel , as their culture increases , that they are called upon to play a twofold role in the world , one real and the ...
... feels it , he is it , as a dramatic preoccupation with his own self . I am afraid that this botanism of Goethe ... feel , as their culture increases , that they are called upon to play a twofold role in the world , one real and the ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth