The Dehumanization of Art: And Other Writings on Art and Culture |
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Pagina 6
Hence tiie indignation it arouses in the massesJWhen a man dislikes a work of
art, but understands it, he feels superior to it; and there is no reason for
indignation. But when his dislike is due to his failure to understand, he feels
vaguely ...
Hence tiie indignation it arouses in the massesJWhen a man dislikes a work of
art, but understands it, he feels superior to it; and there is no reason for
indignation. But when his dislike is due to his failure to understand, he feels
vaguely ...
Pagina 74
Reading this "remembrance of things past" we feel convinced that the
permissible measure of slowness is overstepped. Plot there is almost none; and
not a whit of dramatic interest. Thus the novel is reduced to pure motionless
description, ...
Reading this "remembrance of things past" we feel convinced that the
permissible measure of slowness is overstepped. Plot there is almost none; and
not a whit of dramatic interest. Thus the novel is reduced to pure motionless
description, ...
Pagina 138
Goethe thinks of his life under the image of a plant, but he feels it, he is it, as a
dramatic preoccupation with his own self. I am afraid that this botanism of Goethe
as a thinker makes him sterile for the demands of modern man. On the other
hand, ...
Goethe thinks of his life under the image of a plant, but he feels it, he is it, as a
dramatic preoccupation with his own self. I am afraid that this botanism of Goethe
as a thinker makes him sterile for the demands of modern man. On the other
hand, ...
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The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 2019 |
The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The dehumanization of art, and other writings on art and culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama eric bentley essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest jacques barzun less light LIONEL trilling literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth Velasquez vital vocation W. H. AUDEN Weimar words young youth