The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 6
... feels superior to it ; and there is no reason for indignation . But when his dislike is due to his failure to ... feel that the new art , which is the art of a privileged aristocracy of finer senses , endangers their rights as men ...
... feels superior to it ; and there is no reason for indignation . But when his dislike is due to his failure to ... feel that the new art , which is the art of a privileged aristocracy of finer senses , endangers their rights as men ...
Pagina 74
... feel convinced that the permissible measure of slowness is overstepped . Plot there is almost none ; and not a whit of dra- matic interest . Thus the novel is reduced to pure motionless description , and the diffuse , atmospheric ...
... feel convinced that the permissible measure of slowness is overstepped . Plot there is almost none ; and not a whit of dra- matic interest . Thus the novel is reduced to pure motionless description , and the diffuse , atmospheric ...
Pagina 138
... feels it , he is it , as a dramatic preoccupation with his own self . I am afraid that this botanism of Goethe as a ... feel , as their culture increases , that they are called upon to play a twofold role in the world , one real and the ...
... feels it , he is it , as a dramatic preoccupation with his own self . I am afraid that this botanism of Goethe as a ... feel , as their culture increases , that they are called upon to play a twofold role in the world , one real and the ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth