The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 23
... realism , exhorting the artist faithfully to follow reality , exhorts him to aban- don style . A Zurbarán enthusiast , groping for the sug- gestive word , will declare that the works of this The Dehumanization of Art 23.
... realism , exhorting the artist faithfully to follow reality , exhorts him to aban- don style . A Zurbarán enthusiast , groping for the sug- gestive word , will declare that the works of this The Dehumanization of Art 23.
Pagina 145
... follows -which I do not transcribe so that I shall not feel obliged to tell you what I think about it . Neither should you ... follow my suggestions you will cause a great scandal in Germany , because the Goethe who would emerge would be ...
... follows -which I do not transcribe so that I shall not feel obliged to tell you what I think about it . Neither should you ... follow my suggestions you will cause a great scandal in Germany , because the Goethe who would emerge would be ...
Pagina 181
... its content may be . Human life was to put itself at the service of culture because only thus would it become charged with value . From which it would follow that human life , our pure existence , was , The Self and the Other 181.
... its content may be . Human life was to put itself at the service of culture because only thus would it become charged with value . From which it would follow that human life , our pure existence , was , The Self and the Other 181.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth