The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 23
Whereas realism , exhorting the artist faithfully to follow reality , exhorts him to aban- don style . A Zurbarán enthusiast , groping for the sug- gestive word , will declare that the works of this The Dehumanization of Art 23.
Whereas realism , exhorting the artist faithfully to follow reality , exhorts him to aban- don style . A Zurbarán enthusiast , groping for the sug- gestive word , will declare that the works of this The Dehumanization of Art 23.
Pagina 62
In Greece and in the Middle Ages it was believed that operari sequitur esse - actions follow , and derive from , being . The nineteenth century may be said to have established the ...
In Greece and in the Middle Ages it was believed that operari sequitur esse - actions follow , and derive from , being . The nineteenth century may be said to have established the ...
Pagina 105
And since the latter is in front of the object , it follows that the journey of the pictorial gaze is a retrogression from the distant - although close by- toward what is contiguous to the eye . According to this , the evolution of ...
And since the latter is in front of the object , it follows that the journey of the pictorial gaze is a retrogression from the distant - although close by- toward what is contiguous to the eye . According to this , the evolution of ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth