The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 84
... gift of transmigration ! To achieve this , the author must begin by luring us into the closed precinct that is his novel and then keep us there cut off from any possible retreat to the real space we left behind . The first is easy 84.
... gift of transmigration ! To achieve this , the author must begin by luring us into the closed precinct that is his novel and then keep us there cut off from any possible retreat to the real space we left behind . The first is easy 84.
Pagina 132
... gifts , his character , his body - is the sum of organs by which his life is lived ; he is therefore equivalent to an actor bid- den to represent the personage which is his real I. And here appears the most surprising thing in the drama ...
... gifts , his character , his body - is the sum of organs by which his life is lived ; he is therefore equivalent to an actor bid- den to represent the personage which is his real I. And here appears the most surprising thing in the drama ...
Pagina 144
... gifts . Then why , nevertheless , is he stiff , rigid ? Why did he walk among people holding his body like a banner borne in procession ? Let it not 5. " So silent and thoughtful ! You lack something - admit it . " " I am content , But ...
... gifts . Then why , nevertheless , is he stiff , rigid ? Why did he walk among people holding his body like a banner borne in procession ? Let it not 5. " So silent and thoughtful ! You lack something - admit it . " " I am content , But ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth