The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 148
... give us the authentic outline of his literary mis- sion . The Goethe of Strasburg , Wetzlar , Frankfurt still gives us reason to say : " Wie wahr , wie seiend ! ” Despite his youth and the fact that youth means " not yet to be ...
... give us the authentic outline of his literary mis- sion . The Goethe of Strasburg , Wetzlar , Frankfurt still gives us reason to say : " Wie wahr , wie seiend ! ” Despite his youth and the fact that youth means " not yet to be ...
Pagina 167
... give a material expression - since we can give no other - to our sus- picion that ideas are in no place in space , which is pure exteriority ; but that , in the face of the exterior world , they constitute another world which is not in ...
... give a material expression - since we can give no other - to our sus- picion that ideas are in no place in space , which is pure exteriority ; but that , in the face of the exterior world , they constitute another world which is not in ...
Pagina 168
... give it a holiday ; in short , when the other ceases to move it and manage it , the poor animal has virtually to cease to exist , that is : it goes to sleep . Hence the enormous capacity for somnolence which the animal exhib- its , the ...
... give it a holiday ; in short , when the other ceases to move it and manage it , the poor animal has virtually to cease to exist , that is : it goes to sleep . Hence the enormous capacity for somnolence which the animal exhib- its , the ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth