The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 31
At that time a compulsion was felt to keep clear of certain realities which , on the
other hand , could not be entirely avoided . ... Such a sanctification implied the
idea that a person must not touch that animal with his hands . What then does the
...
At that time a compulsion was felt to keep clear of certain realities which , on the
other hand , could not be entirely avoided . ... Such a sanctification implied the
idea that a person must not touch that animal with his hands . What then does the
...
Pagina 42
Hatred of art is unlikely to develop as an isolated phenomenon ; it goes hand in
hand with hatred of science , hatred of State , hatred , in sum , of civilization as a
whole . Is it conceivable that modern Western man bears a rankling grudge ...
Hatred of art is unlikely to develop as an isolated phenomenon ; it goes hand in
hand with hatred of science , hatred of State , hatred , in sum , of civilization as a
whole . Is it conceivable that modern Western man bears a rankling grudge ...
Pagina 106
r and from near at hand to have painted them as distant . But it is impossible to
see several objects close - up at the same time . The proximate gaze must shift
from one to the other to make each in turn the center of vision . This means that
the ...
r and from near at hand to have painted them as distant . But it is impossible to
see several objects close - up at the same time . The proximate gaze must shift
from one to the other to make each in turn the center of vision . This means that
the ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense sensibility soul space speak stand style substance things thought tion traditional truth turn understand universe vision vital vocation young youth